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This is the 'official' stringing schedule from the kit instructions for stringing at A=440.

Some general observations with regard to stringing:

Stringing is a compromise between art and science, and a stringing schedule is a good guideline, but not always the final word. Wire alloys vary, bridges may not be placed identically from one instrument to another and each soundboard is unique for a myriad of reasons. The wire knows all the physics and will let you know if the diameter is too far wrong. A wire that is too thick will break when you try to bring it up to pitch (ie, too much tension required to make the correct note), a wire that is too thin will sound dull at pitch (ie, not enough tension). Once you have satisfied the physics angle, let your ear be the final judge. If a note sounds bad -- dull or harsh compared to its neighbors -- try another size until it doesn't break and 'sounds right'. In the extreme bass, you might try substituting red brass for yellow.

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